THE BASIC PRINCIPLES OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They will often be craving romantics, using this variance: Buster looks a plausible mate, and the Tramp rarely seems to have a libido, only idealized notions. If their comedies had been designed in a more liberated time, it is achievable to assume Keaton in bed with a woman, but disquieting to consider the Tramp as being a sexual remaining.). The t